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Announcing new partners at AVENUE C STUDIO. Studio 55 C

Our program East Village Dance Project (EVDP) has accepted wonderful opportunity to move from our Avenue C Studio to the legendary Abrons Arts Center at Henry Street Settlement!  Read more about the move HERE.  Please register your child for the classes which will continue under the leadership of Martha Tornay and Associate Director, Victoria Roberts-Wiersbowski.  REGISTER HERE.

We are excited to announce a new partnership at Avenue C Studio, with Moving for Life @ Studio 55 C, who is now installed in the office (previously occupied by Movement Research) and will be running the studio for classes and residencies with GOH Productions, as of February 2018.  We are excited to partner with this amazing group of movement therapists, exercise specialists, dancers, bodyworkers, psychologists, doctors and cancer survivors who promote and teach mindful movement.

For studio information and bookings, please contact info@gohproductions.org or Studio55C@movingforlife.org

Sarazina Joy Stein

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Sarazina Joy Stein, a native New Yorker, began dancing at age 4 with Martha Tornay’s East Village Dance Project (EVDP), was a founding member of EVDP Teen Co, performing at La MaMa, Abrons Arts Center, HOWL Festival, NYU Skirball Theatre, 92nd St. Y, FAB Dance Festival, and in works by Ellen Kornfield and Nicole Wolcott. In 2010 she graduated from EVDP with her own solo. She danced in Larry Keigwin’s Bolero, Delfos Danza’s Full and Empty and in work by Katie Martin. She received her BA from Hampshire College (2014), and created her graduate performance To a Butter World, exploring indulgence, beauty, and social engagement. In NYC, She performed Collapsed Reverberation (2015) at The Brick Theatre; Mouths, Tongues, Ok Sure (2016) at Movement Research’s Open Performance; All Each Other Has (2016) by Bryan Strimpel at City Center Studios; Head Above (2017) with Anna McDunn at SpringUp Festival at Hudson Guild Theater and on tour to Allentown; Dance Precautions (2017) at Dance Fest LES; and No Eyes (2018) at Spoke the Hub’s Winter Follies. With GOH artist Carrie Beehan, she appears on music videos, Pilot Light and Wrap It, Sell It. She was a Production Intern at Movement Research as well as a Production Apprentice at New York Live Arts, and is now a freelance theatre electrician and technician. She tackles day to day life with a bounce in her step (literally)!

Soft Stones Dance was founded by Amanda Klajbor and Sarazina Joy Stein in 2017.  New York City based dancers, movers, and performers, they work collaboratively and with other artists on projects throughout the city. Their work is primarily feminist, and focuses on what it means to be a woman in the Urban Jungle; questioning how to embody the complexities and norms that are forced upon women day to day. Soft Stones Dance premiered their piece, “No Eyes” at Spoke the Hub’s Winter Follies 2018.

nAdA dance company founded in 2017 by Sarazina Joy Stein, Amanda Klajbor and Anna Wotring. They premiered their piece “Dance Precautions” at Dance Fest LES, and from sidewalks to street crossings, you’ll find them loitering with panache.

Since 2019, she has been collaborating with Emily LaRochelle on new duets, performed at Theater for the New City, Performance Space 122, among others.

DanceFEST LES 2017

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Saturday, June 3, 2017, 4pm to 8pm and Sunday, June 4, 4pm to 8pm

Join the El Jardin del Paraiso and Avenue C Studio Group as we  launch a new annual dance festival featuring Lower East Side groups, East Village dance youth, professional companies, duos, and soloists.

Performers include: BM Movement, East Village Dance Project, Rod Rodgers Dance Youth Company,Sarazina Stein, Amanda Klajbor, Anna Wotring of nAdA. Yoshiko Chuma, Lauren Kravitz & Shantel Prado, Katharine Pettit Creative, Lower Manhattan Arts Academy, Lynn Needle/Art of Motion Dance Theatre, Billy Blanken / Sheep Meadow Dance Theatre, Christopher Nunez, and more….

The two-day festival will host dance workshops and performances from 4:00 p.m. – 8 p.m

photo: BAIT by Lauren Kravitz and Shantel Prado

EAST VILLAGE DANCE PROJECT FUNDRAISER 2017

BRUNCHBASHPOSTER 17

APRIL 23, 2017 from 11 AM TO 4PM

Join me for a Bloody Mary, snack on delicious treats from local East Village eateries and bid on the auction!
All for the low price of $25!  (crazy right?)

BRUNCH BASH 2017
AVENUE C STUDIO 55 AVENUE C, near 4th Street

HELP SUPPORT THE CHARLOTTE RUBY CANTOR SCHOLARSHIP FUND OF

EAST VILLAGE DANCE PROJECT’S YOUTH PROGRAM!!

Auction items include wonderful tickets to: ST ANN’S WAREHOUSE, NEW YORK THEATRE WORKSHOP, THE JOYCE THEATER, BAM, LA MAMA, and more!

Buy a ticker for a friend, or family member who cannot afford it!
Buy a ticket for yourself!
Buy tickets for Scholarship Fundraiser Brunch Bash 2017!

 

 

 

 

The Golden Bride by Folksbeine

We have been working actively with our friends at the Folksbeine National Yiddish Theatre to help realize the summer run of their acclaimed operetta THE GOLDEN BRIDE, featuring 20 performers and orchestra of 14 musicians under the baton of Zalmen Mlotek, directed by Bryna Wasserman and Motl Didner.

There are only two more weeks to see the show!Di-Goldene-Kale

The Golden Bride
Nominated for 2 Drama Desk Awards!
Outstanding Revival of a Musical & Outstanding Director of a Musical

July 4, 2016 – August 28, 2016
Don’t miss the return of this critically-acclaimed musical romantic comedy!
Presented in Yiddish with English and Russian supertitles.

GET TICKETS

Lynn Kable, The real Belle of Amherst!

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Lynn Kable with Amal.

When Lynn Kable lived in New York City, she was a force to contend with.  More than a force, in fact.  As an arts administrator and producer, she conceived and created programs throughout the city, in homeless shelters, libraries, museums and professional theater venues from Broadway (when she worked for Merrick) to downtown La MaMa Experimental Theater Company and spaces between. Overseas, she worked on a number of landmark projects in East Central Europe (Macedonia, Poland,  etc), Central Asia (Uzbekistan) and more.

This year, 2013, marks the 10th year that Lynn has lived and worked in Virginia, just south of historic Charlottesville and north of the seven hills of Lynchburg.   For most of these years, she has slowly been working towards the reputation of bringing to the public a wide range of diverse and professional music, theater and outreach engagement projects.   She formed her own non-profit organization in 2006, Amherst Glebe Arts Response (AGAR) [see: http://www.amherstglebeartsresponse.org/  for the purpose of finding funding and community support for these public programs.  Some of the events take place in nearby historic churches and venues; from Amherst High School to St. Mark’s Church, and most recently a play performed for two weekends in the Parlor Room of her own landmarked home, The Glebe.

What can I say about working with Lynn? For those who know her and have had the privileged opportunity to work with her, you know what I mean.  Lynn has an unfathomable energy to see through any obstacle and bring out the best in everyone she works with.  Her demands are large, so you cannot go into a project half-heartedly; but most often her enthusiasm prevails and we find ourselves working harder than ever to be part of her dreams.

For 18 days in November, I was a more than willing witness and participant in the creation of The Belle of Amherst, a play that Lynn envisioned in her home the first day she saw the front Parlor. (In fact, I suspect that being able to have this play performed in her house was one of the reasons she and her husband Ned bought The Glebe.)  see: http://www.amherstcountymuseum.org/tour1957.html#glebe. We rehearsed and presented the play for six performances.  The Parlor seating for the audience was limited to 24 maximum each day, and Lynn managed to bring in audiences that ranged in age from 12 to 90 years old!  What a delight to perform in that historic room.  Sally Parrish Southall, who portrayed Emily Dickinson in the play, brought her own special profound energy to the show and the space.  As we gathered furniture from all of the rooms in Lynn’s home to the Parlor, we saw the creation of our 19thcentury setting appear before our eyes.  Maxim Tumenev, my partner in gardening and theater, helped the vision of the play come to fruition; and helped carry sofas tables and chairs into the parlor!

What else can I say about Lynn?  Years ago, when Lynn lived in New York I tried, with no success, to persuade the BESSIE committee to award her a producer extraordinaire award.   At this point, I feel that Award would not even come close to the level of recognition that she deserves.  Lynn Kable is simply one of a kind and describing her is a challenge and a joy.  She is, without reservation, a fiercely moral individual, who sings in choirs, holds together a major household in a landmark home, the mother of three amazing young professional women, and one of the best event producers worldwide.  AGAR is her vehicle for bringing arts, education, healthcare and related programs to the lucky audiences of Amherst, Virginia, and beyond.  Lynn is fearless, and I am one of the lucky ones – to be encouraged and supported by her energy and love.

Lynn Kable – this is for you.  Bravo! Standing Ovation!  Please continue to do what you do.  This is my award to you.  I offer you devotion and love; for I had the fortune to have worked side by side with you for 8 years in New York City in the 1990s; and 18 days in Virginia this November.  Lynn- you made it happen and I shall be forever grateful for the experience.  Looking forward to more!